Welcome to the HWA COS chapter’s monthly round-up of member news. We invite you to scroll through our publication announcements and see what our members are up to this month: new releases, book signings, readings, conventions, and more!
Carina Bissett participated in the Munich-based project ARCANA 2021 with her interpretation of “The Tower.” To read more about Carina’s inspiration and her mash-up of this card’s symbolism with the motif of Maidens in Towers, check out her blog post on the subject.
ABOUT THE PROJECT: One card from the Major Arcana is drawn randomly and given to the participant. How the artist or writer responds to their, will be revealed this October 20, 2021 at 3 pm (CET) This year’s show will be presented completely online. —Hazel Ang
Carina Bissett, Hillary Dodge, and Joshua Viola are thrilled to announce the release of Shadow Atlas: Dark Landscapes of the Americas (November 30). This high-concept anthology includes fiction and poetry by Mario Acevedo, Colleen Anderson, Kay Chronister, Sara Cleto, David Davies, Sean Eads, Anastasia Garcia, Owl Goingback, Maxwell I. Gold, Warren Hammond, Angie Hodapp, Jimena Jurado, Starlene Justice, Gwendolyn Kiste, Gerri Leen, Josh Malerman, Juliana Spink Mills, Tiffany Morris, Lee Murray, Annie Neugebauer, Gerardo Horacio Porcayo, Cameron E. Quinn, Sarah Read, Kathryn Reilly, Julia Rios, Betty Rocksteady, Marge Simon, Angela Yuriko Smith, Christina Sng, Jeanne C. Stein, Tim Waggoner, Brittany Warman, Christa Wojciechowski, Stephanie M. Wytovich, Mercedes M. Yardley, Jane Yolen, E. Lily Yu, and Alvaro Zinos-Amaro. Illustrated by Aaron Lovett.
CSW’s horror fiction podcast Incarnation Read premiered its second season on Halloween. You can read more about his inspiration and the evolution of the podcast at “Podcasts and the Oral Horror Tradition” (HWA COS). Incarnation Read is available on Spotify, Apple Podcasts, Google Podcasts, Stitcher, YouTube, Deezer, Pocket Casts, Breaker, Overcast, Radio Public, TuneIn, Podcast Addict, and Castbox. Episodes are uploaded once every other Saturday.
Sam Knight is proud to announce the launch of Knight Writing Press. Submissions are now open for Particular Passages 2. The Particular Passages anthologies are for stories that really need a home, but maybe don’t quite fit in anywhere else. Submission deadline is 1/1/2022.
We understand the “theme” of this anthology is a bit vague. We’re looking for “trunk stories” that shouldn’t have ended up in the trunk. The theme is: you just don’t know what’s behind that door until you open it. Think of it as an author showcase. There are no genre restrictions on this anthology. (PG-13).
Shannon Lawrence is pleased to announce the publication of her story “Alligator in a Sweatsuit” in the anthology Crimeucopia – The I’s Have It. This anthology of mysteries from Murderous Ink Press features twists and tongue-in-cheek fun with sleuths of all kinds.
Shannon talks horror, short stories, and the importance of writing communities on Living the Dream with Curveball, a podcast about inspiration and aspiration. You can also find her on Stories Live, which features dark readings for the season. As a featured guest, Shannon reads a creepy tale of a child who wants to meet her mysterious night parents in “Following the Rules.”
Angela Sylvaine is terrified to be included in the debut anthology from Night Terror Novels, This is Not a Horror Story (spoiler- the stories are actually really scary). “Obsidian” follows a woman whose internalized pain ricochets back at those who have harmed her.
Inspired by the iconic “Ceci n’est pas une pipe” found in surrealist René Magritte’s 1929 work, The Treachery of Images, This is Not a Horror Story offers a collection of original fiction both abstract and haunting from fifteen bold, exciting voices writing in the genre today. Take a trip with us into this gallery of the macabre, and allow our authors to transport you into realms fantastical and terrifying; stories of the bizarre and the surreal, from deities, demons, and dictators through to tales of the marginalised and of cursed media. All of these tales are transgressive, yes—they tell the stories of the outcasts, of characters rebelling against societal norms, of the taboo and the controversial—but suffice it to say that no two are alike.