Member Publication News (July 2021)

Welcome to the HWA COS chapter’s monthly round-up of member news. We invite you to scroll through our publication announcements and see what our members are up to this month: new releases, book signings, readings, conventions, and more!

Carina Bissett is pleased to announce her return to poetry with the publication of “Radiant,” which came out in Nonbinary Review #24 Industrial Revolution. Carina’s research on the radium girls has been mostly cut from her novel-in-progress, so she’s especially pleased to share these women’s story in this issue published by Zoetic Press.

In other news, Carina’s story “A Seed Planted” was issued as a reprint in The Society of Misfit Stories published by Bards & Sages.

Dakota Brown has a new dark fantasy novella in her line-up in her Reverse Harem series. Rose Amongst the Sagebrush was originally published in the anthology Cupid in Love.

Austin, Cassidy, and John Nash are half brothers and mustang shifters working for Harris Abney as his ranch hands. With secrets to keep, and their heritage to protect, they try to keep to themselves. Despite that, they find themselves head over heels for the same woman. Will they be able to answer their hearts and keep their secrets safe?

Fleeing an unwanted and dangerous suitor, Rose Abney heads west from her comfortable city life to spend time on her uncle’s cattle ranch in the shadow of the southern Colorado mountains. What she finds is far more than she bargained for, but will love be enough to protect her when her past chases after her?

Claire L. Fishback is accepting pre-orders for The Gorging of Souls, the second novel in the Origin Codex series.  

 Eight and a half months after Detective Ann Logan and seven-year-old Maggie Hart prevented Yaldabaoth from unleashing terror upon the world, all is quiet in Harmony, Colorado. But when Teresa Hart escapes from Mountain View Mental Hospital, Maggie’s perpetual nightmares intensify, and the mysterious marks that link Maggie and Ann burn to life, signaling the presence of a new evil—or the return of an old one. The ancient war between the servants of darkness and the servants of light is far from over. Once again Maggie and Ann, bound together by destiny, hold the space between the delicate balance of life as we know it and eternal horror. The fate of humanity hangs in the balance.

On the filthy tattered sofa in the abandoned funeral home at the edge of Harmony, something evil has pushed its way into the world. And it is hungry.

Travis Heermann‘s story “Pagliacci’s Joke” can be read in Unmasked: Tales of Risk and Revelation, the newest anthology published by HWA member Kevin J. Anderson at WordFire Press.

Pull back the mask to reveal 21 tales from seasoned and award-winning authors, of magical masks, gas masks, death masks, superheroes, secret identities, disguised robots, alien symbionts, a Napoleonic thief, a swindling demon—even a hidden clown.
Who will take the risk?

Explore the masks we wear, the mysteries they conceal, and the price we pay when they’re stripped away. Join us in our unmasquerade as we revel in—revelation!

Sam Knight’s story “Whoever Writes Monsters” is one of the 23 tales included in the anthology Monsters, Movies, and Mayhem, which just won the 2021 Colorado Book Award. This anthology was published by HWA member Kevin J. Anderson at WordFire Press. Congratulations!

Sometimes you go to the movies. And sometimes, the movies–and their monsters–come to you. At any moment, without notice, monsters once relegated to the screen become a reality. Aliens and demons, dragons and ghosts, werewolves, vampires, zombies, and seemingly ordinary people who are just plain evil.

Join award-winning authors Jonathan Maberry, Fran Wilde, David Gerrold, Rick Wilber and others for 23 all-new tales of haunted theaters, video gods, formidable demons, alien pizza, and delirious actors. Each story takes you to the silver screen with monstrous results.

Over at the podcast Mysteries, Monsters, & Mayhem, Shannon Lawrence and her co-host M.B. Partlow added new episodes to the series: Witches & What Happened (June 2), Circling the Truth (June 9), Flies, Lies, & Sweet Scams (June 16), Alabama Slammers with guest Laura Hayden (June 23), and Shining a Light (June 30).

Angela Sylvaines story “Cyclone Sisters’ Traveling Circus” was included in Welcome to the Funhouse, an anthology of carnival horror released July 1st. This story is a reprint and originally appeared in Dark Moon Digest.

Welcome to the Funhouse is the fourth anthology from Blood Rites Horror and the first edited by Kelly Brocklehurst and Jamie Stewart. With twelve grisly stories of coming-of-age terror, carnival cruelty and fairground frights, this collection brings together the best and most exciting talents in the horror community.

Joshua Viola is pleased to announce the publication of “The Disciple of Many Faces” in Birdy, Colorado’s premiere arts, comedy, and culture magazine.

“Let there be darkness,” the disciple said. He pierced the wretch’s eyes, and it was good.

Marie Whittaker includes her take on Strong Female Leads with her story “TR.8C.” This story is part of a powerhouse line-up featured in the anthology We Dare: No Man’s Land, edited by Jamie Ibson and Chris Kennedy.

Whether it’s changing an engine on the outside of a spaceship’s hull or chasing SimNACs through the jungle, these heroines have only one goal in mind—to win at all costs! From defending asteroid bases to searching giant space stations, these women get the job done!

What makes female leads great? Does it matter—these women are incredible! Be warned though—they may be referred to as the “fairer” sex, but don’t cross these ladies, or you’re gonna get what you have coming!

Gothic Horror: A Quick Overview

by Sam Knight

Gothic is a big idea. You just won’t believe how vastly, hugely, mind-bogglingly big it is. Wait. Sorry. Those were Douglas Adams’s words, talking about Space. But calling Gothic a genre is kind of the same thing. And that means it can be kind of hard to grasp. So, don’t sweat it if you don’t. People argue over what it is—and isn’t. I don’t want to argue, so I will just tell you what I think it is, and you can use that as fodder to build your idea of what it is or isn’t.

I don’t know about you, but the first thing I think of, when I think of Gothic, is The House. I don’t mean that to be a title of a story or a movie, I mean it to be a Major Character in a story that fits my idea of gothic. The building, or house, or estate, or village, or city used as a setting for gothic stories is almost always brought to life as nearly a character in its own right—sometimes literally. But it doesn’t have to be. That’s just what I think of. Probably because my first real exposure was House on Haunted Hill (1959), starring Vincent Price.

Instead of The House, it could easily have been something else that makes me think of Gothic. In fact, as I’ve grown as a storyteller, I’ve realized it should have been something else.

The idea, of what Gothic is, is more complicated and harder to define than you might think. Having little to do with the “goths” of my younger years, it is much, much different than people painting their fingernails black, having pale skin, wearing black clothes, and trying to act like they creepily don’t give a crap about anything not considered “dark.”

But they got those ideas from Gothic. That’s why they are (were?) called goths.

Gothic is as much a feeling as it is anything else, which is why it lends itself so well into horror, but that is also why it can be hard to pin down. The truth is, depending upon how you define the Horror genre, I’m not sure you can have a Gothic story without horror elements. In fact, the Wikipedia page implies Gothic Fiction is synonymous with Gothic Horror. Personally, again, I feel that depends upon how you define Horror. I’ll let you decide that for yourself.  The thing is, there are many elements of Gothic stories that are easily recognizable as Gothic, but then, oddly, you can leave almost all of them out and still manage to have a Gothic story.

To elaborate on that, I’d like to toss around some elements often seen, but that probably can be left out. But how do we figure out what those are? Well, let’s look at the origins of the Gothic Genre.

First, the name. Where does that come from? I am not going to claim anything to be for sure, as I am neither a historian nor an expert (see suggested reading below, regarding The Castle of Otranto), but it seems to come from Gothic architecture. Why? Well, I can’t say for sure, but I suspect because it is overwhelming and fits the feeling I mentioned earlier. I doubt anyone ever saw Gothic architecture and felt overwhelmed with love and contentment. That makes those old castles, monasteries, churches, and such to be the perfect settings for the kinds of stories that created the Gothic genre.

And what kinds of stories were those? Well, depending upon how you research it, Gothic started out as a form of Dark Romanticism (which, again, like Gothic Fiction and Gothic Horror, is often considered to be Gothic, and then argued it is not). As that origin fits well into my ideas, I haven’t tried to disprove it. Basically the idea that Gothic stemmed from was Romanticism was too…well… romantic, I guess. (Remember to consider the definition of romantic to not be “love” so much as appreciation for beauty, intellect, accomplishment, etc.) So, terrible things were added to it. Things like horror or terror. Anguish and torment. Guilt and atonement. The romantic ideals of Good Things were turned upon their heads, and Bad Things trounced upon them, spoiling their happy-go-lucky romance stories and making them…Dark Romanticism.

And it went from there.

Like anything, this idea grew beyond its origins and became its own thing. By doing so, it gained new tropes, new ideas, new elements that, as it moved beyond Dark Romanticism, became recognized as part of the Gothic genre. A genre often considered darker than Dark Romanticism. Elements like ghosts, monsters, and supernatural things that go bump in the dark became ghosts, monsters, and supernatural things that go bump in the dark to ruin you and everything you love. And worse, human things that came bumping for you in the dark were never rescuers or savior, and if they were…God have mercy upon their souls for what was to become of them.

Many credit Mary Shelly’s Frankenstein: or, The Modern Prometheus as being the first Science Fiction novel, others say she created the entire Horror genre with it. I can’t attest to either of those, but nearly everyone agrees her novel was Gothic. All in all, things kept getting added to the Gothic genre until some of those things became their own genres as well. Like Lovecraftian Horror.

Or, to get quite specific, how about, Women Running from Houses. I recently (2020) participated in an anthology based upon this genre. (Castle of Horror Anthology Volume 4: Women Running from Houses). It was based upon a flurry of Gothic novels in the 1960’s and 70’s with cover art all following the formula of…women running from houses. Of course, being the kind of person I am, I had to subvert that idea, and I gave them a story about a woman in a wheelchair. Sorry not sorry.

With all of that in mind, let’s consider why Gothic is so hard to pin down as a genre. It started out as anti-Romanticism, often became an introspection of the dark side of what it means to be human, created not only Science Fiction but the modern Horror genre as well, and influenced nearly all ensuing forms of fiction writing. Then, somehow, probably because it consists of generally scary/creepy stories, it has often come to be considered a sub-genre of Horror.

So, if it is somehow both progenitor and offspring of Horror (fittingly creepy, don’t you think?), then what the heck is it?

It’s okay if you don’t know. Most people don’t. Definitions often don’t match up. Gothic ends up being an “I know it when I see it” kind of thing.

So here are some commonly accepted elements of the genre:

  • Intimidating/menacing/scary setting. This could be the architecture, like the mansion, the castle, the ruins, the graveyard, or it could be the caves hidden in the cliffs, or anything really. Sometimes it’s a whole town. (Think Derry in Stephen King’s novels.)
  • Unknown/sinister/terrible history (of the land, a building, or characters, etc.). Usually, it is some form of a hidden history, slowly revealed in a traumatic or terrifying way.
  • Supernatural happenstance. Bad omens. Bad dreams. Things that go bump in the night. Just generally creepy, unexplainable things. Even if they are only in the character’s mind.
  • A general overall feeling of ominous foreboding. Foreshadowing dropped into the text to let the reader know Bad Things are going to happen. (Even if they aren’t! This could all be in the character’s mind.)
  • Woman running from the house. Not really, but you get the idea. The helpless/defenseless/innocent person caught up in it all. They may or may not be the protagonist. If they are, they are often also an anti-hero. In fact, the main character is often an anti-hero.
  • The Bad Guy. Might be supernatural, might be human. Might be Dad, might be an ancestor who died in 1237AD, might be the gardener. Might be The House. (Might only be in the character’s mind.)
  • Romance of some sort, no matter how tenuous. Can just be friendship or imagined. Mostly it needs to be there because the helpless/defenseless/innocent person needs to have some kind of hope that can eventually be ripped away from them just to make things even worse.

You may have noticed that some, or all, of those things can be elements of stories that are not necessarily of the Gothic genre. Even from this point, you can add and/or subtract quite a few elements and still have what people will consider a Gothic story. That definitely to the confusion about what the Gothic genre is.

Personally, I think there is one thing still missing from the list. It is the thing I mentioned earlier, when I said that, as I’ve grown as a storyteller, I’ve realized it should have been something other than The House that I thought of when I thought of Gothic.

Strangely, I’ve never seen it on any other lists of things that comprise Gothic stories. I’m not saying others haven’t noticed it, just saying I’ve never seen, or heard, anyone else list it. So, with that in mind, feel free to disagree with me. Maybe I’m wrong.

To me, the one element you have to leave in, and lean into, in order to make sure your story is Gothic, is the terrible constraints put upon the main character by their beliefs and societal obligations. Their inability to overcome religious, family, and/or societal expectation and obligations and the like, are what keeps them mired in the terrible situation they find themselves in. Those are the reasons that something an ancestor did 400 years ago is still so terrible and can still ruin the present day. Those are the reasons why actually running from the house and never looking back is not an option, and if it were, it’s not a solution. Those are the reasons why they can’t just bitch-slap the bad guy and yell, “Boo-ya!” Those are the shackles that hold the characters down, make them oppressed, make them subservient and slave to their situation, and prevent them from prevailing.

Keeping that in mind, you may start to see why the Wikipedia page implies Gothic Fiction is synonymous with Gothic Horror. Can you have that kind of a situation and not have horror?

Well, again, I will leave that up to you.

I think a good rule of thumb is that if the character doesn’t know/understand what’s going on, doesn’t know who or what their antagonist is, and isn’t sure if they’ve gone insane, it’s probably Gothic. And then all you need to do is find a way to make them even darker, even more horrific, more helpless, hopeless, and inescapable, and you’ll be on your way to a Gothic Horror story.

Suggested reading:

 Mary Shelly’s Frankenstein, of course. Don’t settle for a movie version. Even the rare faithful versions don’t live up to it if you want to understand why this is Gothic and what Gothic is.

The Castle of Otranto (1764) by Horace Walpole. I haven’t read it, but everyone credits it as being the first Gothic novel (though elements of the genre are much older), so I kind of had to recommend it. It is also considered by many to be the first Horror novel. It was originally released as a “found” novel, supposedly written in the 1500’s. When it became popular, Horace Walpole finally took credit and the second edition was re-titled The Castle of Otranto, A Gothic Story. This may be a good indicator of the origin of the term Gothic, in relation to the genre.

Edgar Allan Poe. Any of them. Pick one at random. There is a reason he is considered American Gothic writer. If you can’t pick just one, try The Fall of the House of Usher.

Bram Stoker’s Dracula. There is a reason the Horror Writers Association call their awards the Bram Stoker Awards®

There are tons of others, The Strange Case of Doctor Jekyll & Mr. Hyde by Robert Louis Stevenson, The Picture of Dorian Gray by Oscar Wilde, The Turn of the Screw by Henry James, but those are where I would start, if I wanted to understand the real, psychological meanings and expectations behind what comprises Gothic Horror.

The Colorado Springs Chapter is currently working on a Glossary of horror sub-genres. Currently there are live entries on Gothic Horror, Ghosts, Humorous Horror, Occult Horror, and Weird Western. Keep an eye on our page as we continue to add to the offerings. And if you have a suggestion for a sub-genre we might have overlooked, feel free to drop us a line.

Member Publication News (May 2021)

Welcome to the HWA COS chapter’s monthly round-up of member news. We invite you to scroll through our publication announcements and see what our members are up to this month: new releases, book signings, readings, conventions, and more!

Wild: Uncivilized Tales from Rocky Mountain Fiction Writers edited by Rachel Delaney Craft and Natasha Watts (RMFW Press) is a finalist in the category of anthology for the Colorado Book Awards. This anthology includes stories by three members of the Colorado Springs Chapter of HWA: Carina Bissett, Rick Duffy, and Angela Sylvaine.

Read more about these authors’ creative process in the blog post Writing for a Themed Anthology. An excerpt of Rick Duffy‘s story “Castles in the Sky” can also be read at The Colorado Sun in the feature article “’Wild: Uncivilized Tales’ collected stories from more than a dozen Rocky Mountain Fiction Writers.”

Travis Heermann’s story “The Avenger” was published in StokerCon 2021 Souvenir Anthology: The Phantom Denver Edition.

A suburban man lives through endless millennia through his strange dream-connection to an eons-old horse deity, only to discover the deity is not what he thought it was. — “The Avenger” by Travis Heermann

Heermann is also on the lineup of authors reading at StokerCon 2021, and he is currently running a fundraiser for his debut film Demon for Hire. For more details, check out the blog post From Author to Screenwriter to Filmmaker.

Angie Hodapp’s story “Collateral Damage” was published at Birdy Magazine online in conjunction with the magazine’s interview with John Palisano and Joshua Viola about StokerCon 2021. “Collateral Damage” is also included StokerCon 2021 Souvenir Anthology: The Phantom Denver Edition.

When drug dealer Marcy lands a real job—thanks to her probation officer—at a kiosk inside Denver International Airport, she discovers one particular souvenir has the power to kill. — “Collateral Damage” by Angie Hodapp

Hodapp will be accepting pitches by appointment at StokerCon 2021 for the Nelson Literary Agency.

Sam Knight’s story “World by the Horn” can be found in anthology Particular Passages. When a woman’s long life comes to an end, she finds herself reunited with a make-believe friend from her childhood who has never forgotten his promise to her. This anthology also features Marie Whittaker’s creative nonfiction essay “Folly,” a stream-of-consciousness reflection from the point-of-view of a child.

Knight is also on the reading line-up at StokerCon 2020, and his story “The Curse of the Dreamcatcher” is included in StokerCon 2021 Souvenir Anthology: The Phantom Denver Edition.

Standing watch over Denver International Airport, the giant Blue Mustang locally known as Blucifer acts as a dreamcatcher, helping people forget their troubles as they journey out into the world. But what happens to those captured dreams, those nightmare troubles? What if they were whispered back…into your ear? — “The Curse of the Dreamcatcher” by Sam Knight

Shannon Lawrence is pleased to announce the inclusion of her short story “Watched” in I Is for Internet (A to Z of Horror Book 9). I is for Internet, the ninth book in an epic series of twenty-six horror anthologies. In this book you will find a collection of thirteen unsettling tales from some of the most imaginative independent horror writers on the scene today. Each story takes a new look at the potential horrors of the online world, from stalkers to cyber-demons, artificial intelligence to predators. I is for Internet will plug you straight into the mainframe and have you desperate to pull the plug.

Over at the podcast Mysteries, Monsters, & Mayhem, Lawrence and her co-host M.B. Partlow added new episodes to the series: Death Finds us All  (Apr. 7), Murder & Maple Syrup (Apr. 14), Banana Sandwich: Chicken Coops & Vampires (Apr. 21), and Of Towers & Typhoid (Apr. 28).

We are also pleased to feature new releases and information for HWA’s Denver Chapter!

Maria Abrams is thrilled to announce the release of her first novella She Who Rules the Dead. Henry has received a message: he needs to sacrifice five people to the demon that’s been talking to him in his nightmares. He already has four, and number five, Claire, is currently bound in the back of his van. Too bad Claire isn’t exactly human.

Jeamus Wilkes discusses his work with The Horror Writers Association as Co-Chairperson/Denver, his writing, and the upcoming StokerCon in Denver (via ZOOM this year) at the podcast Burial Plot, Episode 1.

Member Publication News (March 2021)

Welcome to the HWA COS chapter’s monthly round-up of member news. We invite you to scroll through our publication announcements and see what our members are up to this month: new releases, book signings, readings, conventions, and more!

Carina Bissett‘s story “The Certainty of Silence” is included in Twisted Anatomy: A Body Horror Anthology.

“The locksmith has examined every piece he’s removed from my form, so I’m not surprised when he opens my blighted voice box with surgical precision. The first notes creep out to tempt my bridegroom. The net is cast. I smile.”

This piece is a Bluebeard/Little Mermaid mash-up written as a protest against domestic violence. Proceeds from this anthology benefit the Pulmonary Hypertension Association and the National Domestic Violence Hotline.

Dakota Brown is pleased to announce the release of The Price of Possession: A Reverse Harem Tale (Pizza Shop Exorcist Book 1).

“Darius was the only guy I couldn’t say no to, the one who dragged me into the world of the occult in the first place. When he shows up and begs me to assist with an exorcism, I reluctantly agree. Before I know it, I’ve got an incubus in the living room, a hellhound marking around my yard, and a demon prince who can’t decide if he wants to kill me or… you know. Normally I wouldn’t work with the supernatural, but we all have a common goal. Prevent the crime syndicate from summoning a demon prince and becoming more powerful than we can hope to handle. If I can keep my cool, it will be a miracle. If I can hold on to my soul it’ll be an even bigger one.”

This book is intended for mature audiences.

J. A. Campbell is a contributor to Crash Philosophy: Third Collision.

From Nerdy Things Publishing, Crash Philosophy collides unusual characters and settings to bring you one-of-a-kind reading experience. If you want to gain the entire set of choices, be sure to grab the First Collision and Second Collision, too!

The third installment in the Crash Philosophy series brings you 32 new stories from 17 authors. You never know what style of storytelling you’ll get, what genre you’ll enter, or what adventure you’ll take on when you choose from the new entries. The world is in your hands, what combinations will you choose?

Shannon Lawrence and her co-host M.B. Partlow added new episodes to the series podcast Mysteries, Monsters, & Mayhem: The Fights for Civil Rights (Feb. 3), Of Love & Lunacy (Feb. 10), Freaky Florida: Apparitions & Alcoholics (Feb. 17), and Mama Bears Gone Terribly Wrong (Feb. 24).

Several of our members are featured in StokerCon 2021 Souvenir Anthology: The Phantom Denver Edition.

A dying star is a beautiful and petulant thing, lashing out at the great, unfeeling chill of the Universe. Behold, the Devourer of Stars. — “The Devourer” by Josh Viola

A suburban man lives through endless millennia through his strange dream-connection to an eons-old horse deity, only to discover the deity is not what he thought it was. — “The Avenger” by Travis Heermann

When drug dealer Marcy lands a real job—thanks to her probation officer—at a kiosk inside Denver International Airport, she discovers one particular souvenir has the power to kill. — “Collateral Damage” by Angie Hodapp

Standing watch over Denver International Airport, the giant Blue Mustang locally known as Blucifer acts as a dreamcatcher, helping people forget their troubles as they journey out into the world. But what happens to those captured dreams, those nightmare troubles? What if they were whispered back…into your ear? — “The Curse of the Dreamcatcher” by Sam Knight

Other HWA COS content contributors include Carina Bissett, who interviewed past HWA president Lisa Morton, Hillary Dodge, who wrote about the history of the Colorado chapters including the formation of the Colorado Springs Chapter (HWA COS), and Dean Wyant interviewed Joe R. Lansdale and also composed an essay on the history of Hex Publishers.

Member Publication News

Welcome to the HWA COS chapter’s monthly round-up of member news. We invite you to scroll through our publication announcements and see what our members are up to this month: new releases, book signings, readings, conventions, and more!

Shannon Lawrence is pleased to announce the release of her holiday-themed short fiction collection Happy Ghoulidays. (Book Launch Nov. 9-19.)

Family time can lead to murder and mayhem, especially during the holidays. A turkey with a tale to tell, elves under attack, sorority sisters putting on a killer party, a woman’s desperation to save her family, and a stranger ringing in the New Year. These and other tales of woe await you beneath the mistletoe.

Be careful who you offer a kiss. It may be your last.

Marie Whittaker is thrilled to announce the release of Betsy and the Time Ship, the third book in the Shadowgate Tales.

Sam isn’t sure what to make of Betsy, the woman from another time, far ahead of his own. But he needs her and her time ship Mabeline to complete his mission. The Order of the Terminers faces unknown terrors, back in 1872, at Shadowgate Stonehenge. To complete their mission, they must exterminate a family of witches. Will Sam be able to complete the task?

Marie Whittaker also published There’s a New Kid, Lola Hopscotch!, book three in The Adventures of Lola Hopscotch—a book series dedicated to helping children fight and overcome bullying.

A favorite wintertime read-out-loud story for kids! Lola Hopscotch makes a new friend at school, and helps the new kid feel comfortable with others in this exciting new book in The Adventures of Lola Hopscotch picture book series for children.

Carina Bissett’s humorous horror story “The Stages of Monster Grief: A Guide for Middle-Aged Vampires” was recently released in Coffin Blossoms. an anthology published by Jolly Horror Press in October 2020. She read this piece at the inaugural Bloody Valentine event in Colorado Springs.

Coffin Blossoms. A reminder that hope does spring eternal. In death itself there is often beauty, life, and on rare occasions even humor. The twenty-four stories in this anthology straddle the line between humor and horror in unique ways.

Claire L. Fishback is pleased to announce that her second short story collection, The Doll Room and Other Stories was published by Dark Doorways Press in October 2020.

A room with many small doors, a dream hitchhiker, furniture that moves by itself. A middle-aged housewife who desperately wants to be noticed. A child who collects macabre items. In these pages you’ll find strange encounters, dolls with secrets, and creepy children. Haunted ears. A long-lost daughter come home. Nightmares come true.

Angela Sylvaine’s short story “Here We Come A Caroling” was released in October in Gothic Blue Book VI: A Krampus Carol.

A collection of short horror stories and poems resurrect the spirit of the Gothic Blue Book. Gothic Blue Books were short Gothic fictions popular in the 18th and 19th century. Burial Day Books presents its sixth Gothic Blue Book, A Krampus Carol — a celebration of folklore and myth around Christmas, Yule, the cold winter months and Santa Claus’ opposite, Krampus.

In other news, Angela Sylvaine‘s story “Antifreeze and Sweet Peas” was included in the highly-anticipated anthology Not All Monsters: A Strangehouse Anthology by Women of Horror, edited by Sarah Tantlinger.

M. H. Boroson released The Girl with No Face, the second novel in The Daoshi Chronicles. The adventures of Li-lin, a Daoist priestess with the unique ability to see the spirit world, continue in the thrilling follow-up to the critically-acclaimed historical urban fantasy The Girl with Ghost Eyes. The novel won First Prize in the Colorado Authors League Award, Science Fiction and Fantasy Category.

With hard historical realism and meticulously researched depictions of Chinese monsters and magic that have never been written about in the English language, The Girl with No Face draws from the action-packed cinema of Hong Kong to create a compelling and unforgettable tale of historical fantasy and Chinese lore.

Sam Knight’s story “Shattered Piece of Heaven” was recently released in the anthology Castle of Horror Anthology Volume 4: Women Running from Houses.

The theme is Gothic– the horror of Gothic romance. Throughout the mid-century, paperback Gothic romance books dominated the shelves, always featuring a woman running away from a house. Gothic romances tended to tell stories of women coming into conflict with old families, old houses and old traditions. So we’ve asked a bevy of best-selling writers to celebrate the movement with their own horrific takes on gothic. Run from the house with us!

In other news, Sam Knight‘s story “Leaving Dry Gulch on the Midnight Train” was published in the anthology Six Guns Straight From Hell 3: Horror & Dark Fantasy From the Weird Weird West, edited by David R. Riley and J. A. Campbell.

Saddle up for a wild ride through the weird, weird west. As you ride our trails you’ll want to keep one eye on the path ahead and one over your shoulder cause there’s a bushwhacking monster creeping up behind you.

Rick Duffy is thrilled to announce his new novel, The Sigil Masters, a young adult fantasy adventure. The novel won the Rocky Mountain Fiction Writers Gold.

Strange magics, a secret history, and new friends await him on his desperate quest to unravel the mystery of his curse. If he’s caught, his mind will be ripped open and corrected, changing how he thinks and feels and remembers. But he’s hunted by a power-hungry madman who believes the curse holds the key to ushering in a new paradise—or plunging the lands into darkness and war.

Fleeing the very shadows of death, forced to choose between fate and friendship, can the ill-fated boy find a light to save them all?

In other news, Rick Duffy‘s short story, “Castles in the Sky” was recently released in WILD: Uncivilized Tales from Rocky Mountain Fiction Writers.

Fearless or feral? Liberating or life-threatening? The wild side of life takes many forms. It seeps through the cracks of our world in the form of stray cats, tenacious weeds, oppressive relationships, and haunting memories. These fourteen stories by Rocky Mountain Fiction Writers explore the wildness that lives inside all of us—and what happens when we let it out.

It Came from the Multiplex: 80s Midnight Chillers, edited by Joshua Viola and published by Hex Publishers, contains 14 cinema-inspired stories by such notable writers as Angie Hodapp, Kevin J. Anderson, Stephen Graham Jones, Warren Hammond, and Steve Rasnic Tem.

“The universally well-paced, imaginative selections sizzle with energy, delivering an intoxicating blend of spine-tingling chills and 80s nostalgia.”

—PUBLISHERS WEEKLY, STARRED REVIEW

In other news, the Hex Publishers’ anthology Psi-Wars: Classified Cases of Psychic Phenomena, also edited by Joshua Viola, has received rave reviews. You can read an excerpt from the story “Cradle to Grave” by Angie Hodapp at Tor.com.

From Atlantis to the Third Reich and beyond, these thirteen original tales of cerebral science fiction and horror explore the evils that abound when humanity wields extraordinary minds as weapons, whether to wage war or prevent it. Steeped in psychic savagery, telekinetic combat, and extrasensory espionage, PSI-WARS imagines corrupt governments and daring operatives, gods and soldiers and hackers and spies. The authors don’t flinch when they peer around the darkest, most violent corners of the human psyche. Will you?

Dakota Brown recently released Siren’s Catch: A Reverse Harem Tale (Ocean Enchantment Book 1).  

Sirens destroyed everything I loved. My family, our offshore fishing business, and my life. I swore revenge and made it my mission to take everything they had taken from me, killing them one by one until there was nothing left but blood in the water. Cue Poseidon, god of the sea, livid that I’d killed off the protectors of his domain.

This book is intended for mature audiences. 18+ readers only! It contains language and sexual situations. This is mermaid themed medium burn reverse harem where the girl gets all the guys. Why Choose?